There was an intricate network of thousands of radicalized, trippy bands spread across the globe like an acid-drenched spider web in the ’60s and early ’70s, but none went as far out as Japan’s reclusive noise rock/terrorist organization Les Rallizes… Continue Reading →
“We are the Record Company. We play Rock n Roll.” How do you not want to tune in to listen? Chris Vos’ booming voice and innovative guitar playing and lyrics like “East side thriller killer / Roll bones drop stones raw… Continue Reading →
How does an artist survive a bad review? Do they wallow in their misery or do they breathe it all in and come back all the better after taking the criticism to heart? As the still-invincible Doobie Bros once harmonized,… Continue Reading →
I don’t know much about Chromeo, but I do know they are a joke. A shtick. Two Canadian EDM dudes playacting as silky, over-the-top, 70s-Euro playboys. I mean, just look at them. No seriously, take a look at that cover… Continue Reading →
Sometimes a good press kit will set up your album for some easy reviews. Maybe this makes the reviewers happier (since their narrative is comfortably preconceived for them) and hopefully it ends up getting your artist a more positive review. But it… Continue Reading →
7.1 out of 10. Definitely a passing score, right? It won’t get you Pitchfork’s coveted “Best New Music” or anything but it isn’t a critical lashing. If you’re a lo-fi minimalist electronic artist from Detroit biting your nails in worry… Continue Reading →
David C.: The first time I heard The Byrds’ cut of “Mr. Tambourine Man” was in a History of Rock class in college, because some of us didn’t have the privilege of being raised on proper music – In fact,… Continue Reading →
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