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Pitchfork

Music Review Review: Pitchfork Needs to Chill Out By Actually Listening to Mutual Benefit

Maaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaan, I really didn’t want to do this. There’s so much negativity floating around the world right now; we should be posting nothing but shiny happy posts.  But, y’know, one morning I was enjoying my office tupperware full of Barbara’s… Continue Reading →

Grayson Haver Currin on the State of His Art (with an Appearance by Gabriel Kahane)

Grayson Haver Currin reviewing a Gabriel Kahane album might just be the rare case of the reviewer being equally as well-known as the reviewed. After all, GHC, along with his wife Tina, are a fair degree of Internet Famous for… Continue Reading →

Jesse Dorris Of Pitchfork Takes A Swing At Prodigy And Misses, Then Falls Down

Pitchfork has this thing that they love to do on Sundays. Most of us utilize this day of freedom to get some errands done, have a nice brunch, go for a walk, catch up on that Hulu backlog…a whole litany… Continue Reading →

We Critique Music Critics: Pitchfork Re-Brands Iggy Pop As A Menace To The Middle Class

Uh oh, the social responsibility taskforce has been unleashed from Pitchfork headquarters and is chasing after the wrong beasts again. Unlike the Fork Puritan’s recent head scratching run at completely harmless folkies Luluc, however, this one seems more inevitable. After… Continue Reading →

We Critique Music Critics: Pitchfork Hates Luluc, But Why?

For those many, many souls not in The Know, Luluc are a gentle Australian duo who play über-low-key tunes with a peaceful hippy-hint of the winter of ’69 canyon sound. It’s a thoroughly relaxing listening experience, and it really, really… Continue Reading →

Pitchfork Just Can’t Take a Joke Anymore: What do Carl Marx and Ivanka Trump Have To Do With Chromeo?

I don’t know much about Chromeo, but I do know they are a joke. A shtick. Two Canadian EDM dudes playacting as silky, over-the-top, 70s-Euro playboys. I mean, just look at them. No seriously, take a look at that cover… Continue Reading →

Natalie Prass Critical Round-Up and P4K’s Olivia Horn-Penned Op-Ed

Sometimes a good press kit will set up your album for some easy reviews. Maybe this makes the reviewers happier (since their narrative is comfortably preconceived for them) and hopefully it ends up getting your artist a more positive review. But it… Continue Reading →

7.1? Kanye’s Record Blows But Pitchfork Can’t Admit It

7.1 out of 10. Definitely a passing score, right? It won’t get you Pitchfork’s coveted “Best New Music” or anything but it isn’t a critical lashing. If you’re a lo-fi minimalist electronic artist from Detroit biting your nails in worry… Continue Reading →

Critic Review: New Chvrches Record Is Dead On Arrival But Pitchfork Can’t Admit It

What, you can’t give a bad review to Chvrches? Mayberry and The Two Synth Dudes can’t be that powerful, can they? This band had, what, one surprise hit album maybe five summers ago? Then a less successful one maybe two… Continue Reading →

Critic Review: Jazz Monroe of Pitchfork on the Arctic Monkeys

It may be hard to imagine now, but there was a time when the pre-Conde’ Nast Pitchfork Media followed its own singular instincts. It was a site that rarely took into account the cultural group-think surrounding a particular record, band,… Continue Reading →

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