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Reviews of Record Reviews
A booming round of applause is in order for Alphonse Pierre who has penned easily the most out-of-touch Pitchfork review of the day which, as someone who forced themselves to read them all, is really quite an accomplishment I can… Continue Reading →
If Rule #1 in a critical piece is to set up a defining premise/concept/angle within the first paragraph, then Rule #2 is to not directly contradict said premise/concept/angle at any point throughout said piece. Well, we really have to hand… Continue Reading →
Maaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaan, I really didn’t want to do this. There’s so much negativity floating around the world right now; we should be posting nothing but shiny happy posts. But, y’know, one morning I was enjoying my office tupperware full of Barbara’s… Continue Reading →
Grayson Haver Currin reviewing a Gabriel Kahane album might just be the rare case of the reviewer being equally as well-known as the reviewed. After all, GHC, along with his wife Tina, are a fair degree of Internet Famous for… Continue Reading →
Pitchfork has this thing that they love to do on Sundays. Most of us utilize this day of freedom to get some errands done, have a nice brunch, go for a walk, catch up on that Hulu backlog…a whole litany… Continue Reading →
Uh oh, the social responsibility taskforce has been unleashed from Pitchfork headquarters and is chasing after the wrong beasts again. Unlike the Fork Puritan’s recent head scratching run at completely harmless folkies Luluc, however, this one seems more inevitable. After… Continue Reading →
For those many, many souls not in The Know, Luluc are a gentle Australian duo who play über-low-key tunes with a peaceful hippy-hint of the winter of ’69 canyon sound. It’s a thoroughly relaxing listening experience, and it really, really… Continue Reading →
I don’t know much about Chromeo, but I do know they are a joke. A shtick. Two Canadian EDM dudes playacting as silky, over-the-top, 70s-Euro playboys. I mean, just look at them. No seriously, take a look at that cover… Continue Reading →
Sometimes a good press kit will set up your album for some easy reviews. Maybe this makes the reviewers happier (since their narrative is comfortably preconceived for them) and hopefully it ends up getting your artist a more positive review. But it… Continue Reading →
7.1 out of 10. Definitely a passing score, right? It won’t get you Pitchfork’s coveted “Best New Music” or anything but it isn’t a critical lashing. If you’re a lo-fi minimalist electronic artist from Detroit biting your nails in worry… Continue Reading →
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