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From The Vaults
If you’ve never heard, or heard of, Captain Beyond then you’re straight up sleep walking through life, my friend. Blooming from the ashes of Iron Butterfly in the fertile early 70s, The Captain was formed by totally groovy proto-metalers Larry… Continue Reading →
Alexander “Skip” Spence had one of the most golden late ‘60s freak scene resumes that could ever be typed up. If you were a counterculture superstar recruiter of the time and this patchouli-scented cover document crossed your groovy desk you… Continue Reading →
The first striking aspect about Serge Gainsbourg’s notoriously unheralded second album is the cover. Here sits a shockingly young and fresh-faced Serge, rocking a suit right out of an early Godard flick, fixing the camera with one of the coldest… Continue Reading →
Of any celebrated recording artist of the past 60 years, there is no stylistic phase more neglected than Serge Gainsbourg’s first four records. This could be for a variety of reasons, each one posing as a serious stumbling block both… Continue Reading →
A bit of a paradox here… Despite the title, not necessarily a “live” album, with half the tracks recorded directly in the Columbia studio, and the remaining tunes being spliced together from different performances, recorded December 1970 at DC’s The… Continue Reading →
Let’s just get one thing out of the way straight up front about this record: The soundtrack to Kenneth Anger’s 1972 (oc)cult classic Lucifer Rising was recorded in Tracy Prison in San Joaquin, California by Robert “Cupid” Beausoleil of Manson… Continue Reading →
Sly Stone may have been this funky, but he was never this heavy. Bass and drums… Tight! Hard! Guitar and percussion… laying down a heavy groove, just right above. Yamaha organ… Ok, most that is just plain weird. Sax… mother… Continue Reading →
Here at Niche Appeal we will be covering our top 50 weirdest, trippiest, wildest, and woolliest records ever laid down on wax. Today we kick things off with a gift from Hawkwind sax man Nik Turner straight from the cursed… Continue Reading →
Is it the appropriation and re-appropriation of black and white culture, back and forth, until we’re given something uniquely colorblind?
Any serious music critic is making a mistake to write off the music of Charles Manson.
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