Author
Dave DeLuca
Sir Paul seems to garner increasing popularity (once again) over recent years – A genuine acclaim for what he’s doing today, without any tongue-in-cheek irony. And deservedly so. Carrying himself with a sense of decorum, (but never too serious), he… Continue Reading →
Like the last few recordings, the tracks for the aptly-titled Alive in the East? were laid down in front of an audience, amidst a modest setting (in this particular case, East London’s Total Refreshment Center). Binker Golding (Tenor Sax) and… Continue Reading →
Dinosaur has been a name in the ‘new’ jazz scene for a few years now. The music speaks for itself, which is good because this collective falls shockingly beneath the radar on the internet. With a group of compositions by… Continue Reading →
When I first heard that a recently discovered John Coltrane was being released, I didn’t have high expectations. I mean, I’ve heard collectors state emphatically that if Coltrane farted on record, they’d listen. I eschewed it, assuming that it was… Continue Reading →
Rahsaan Roland Kirk was a true jazz character – A blind multi-instrumentalist, with the unique ability of circular-breathing that allowed him to play endless phrases without coming up for breath. Politically outspoken with a penchant for theatrical eccentricity, Rahsaan would habitually… Continue Reading →
A revitalizing look at a genre I thought tired since the alt-country rejuvenation of the early 2000’s.
A bit of a paradox here… Despite the title, not necessarily a “live” album, with half the tracks recorded directly in the Columbia studio, and the remaining tunes being spliced together from different performances, recorded December 1970 at DC’s The… Continue Reading →
Sly Stone may have been this funky, but he was never this heavy. Bass and drums… Tight! Hard! Guitar and percussion… laying down a heavy groove, just right above. Yamaha organ… Ok, most that is just plain weird. Sax… mother… Continue Reading →
Is it the appropriation and re-appropriation of black and white culture, back and forth, until we’re given something uniquely colorblind?
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